Profile of Hsiao-hsien Hou on Famous Like Me

Hou Hsiao-Hsien (Chinese: 侯孝賢; pinyin: Hóu Xiàoxián) (born April 8, 1947) is an award-winning film director and a leading figure of Taiwan's New Wave cinema movement. He was born in Meixian, Guangdong province of China in 1947. He and his family fled the Chinese Civil War to Taiwan the following year. Hou was educated at the National Taiwan Academy of the Arts.

Hou generally makes rigorously minimalist dramas dealing with the upheavals of the Taiwanese (and occasionally larger Chinese) history of the past century by viewing its impacts on individuals or small groups of characters. A City of Sadness (1989), for example, portrays a family caught in conflicts between the local Taiwanese and the newly arrived Chinese Nationalist government after World War II. It was groundbreaking for broaching this long-taboo subject and became a major success despite its seemingly uncommercial nature.

His storytelling is oblique and his style marked by extreme long takes with minimal camera movement but intricate choreography of actors and space within the frame. He uses extensive improvisation to arrive at the final shape of his scenes and the low-key, naturalistic acting of his performers. Without abandoning this famous austerity, his imagery has developed a sensual beauty during the 1990s, partly under the influence of his collaboration with cinematographer Mark Lee Ping-Bin. Hou's consistent screenwriting collaborator since the mid-1980s has been the renowned author Chu Tien-Wen. He has also cast revered puppeteer Li Tien-Lu as an actor in several of his movies, most notably The Puppetmaster (1993), which is based on Li's life.

Hou's films have been awarded best film and/or best director awards from prestigious international festivals such as the Venice Film Festival, Berlin Film Festival, Hawaii International Film Festival and the Nantes Three Continents Festival. Six of his films to date have been nominated for the Palme d'Or (best film award) at the Cannes Film Festival, though the prize has so far eluded him. Hou was voted "Director of the Decade" for the 1990s in a poll of American and international critics put together by The Village Voice and Film Comment. Despite such acclaim, his work remains rarely distributed in the West outside of the film festival circuit.

He directed the Japanese film Café Lumière (2003) for the Shochiku studio as an homage to Yasujiro Ozu, one of Hou's primary influences; it premiered at a festival commemorating the centenary of Ozu's birth. The film deals with themes reminiscent of Ozu - tensions between parents and children and between tradition and modernity - in Hou's typically indirect manner. In 2005 his film Three Times - which features three stories of love set in 1911, 1966 and 2005 using the same actors - was the latest to be nominated for a Palme d'Or; it received glowing reviews instead.

Filmography

• Three Times (2005)
• Café Lumière (2003)
• Millennium Mambo (2001)
• Flowers of Shanghai (1998)
• Goodbye South, Goodbye (1996)
• Good Men, Good Women (1995)
• The Puppetmaster (1993)
• A City of Sadness (1989)
• Daughter of the Nile (1987)
• Dust in the Wind (1986)
• A Time to Live, A Time to Die (1985)
• A Summer at Grandpa's (1984)
• The Sandwich Man (1983)
• The Boys From Fengkuei (1983)
• The Green, Green Grass of Home (1983)
• Cheerful Wind (1981)
• Cute Girls (1980)

Further Readings

• Berenice Reynaud, A City of Sadness, British Film Institute 2002

This content from Wikipedia is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article Hsiao-hsien Hou