Profile of Mary Esther Wells on Famous Like Me

Mary Esther Wells (May 13, 1943–July 26, 1992) was an American soul and R&B singer. She was one of the signature voices of the Motown sound, most famous for her 1964 hit "My Guy".

Biography

Humble beginnings

Wells grew up in a poor Detroit, Michigan neighborhood without a father. Her mother worked tirelessly in domestic work to support Mary and her two siblings. When Wells was two, she suffered from spinal meningitis. She managed to survive the often fatal disease, but lost her sight, her hearing, and was temporary paralyzed. Eventually her hearing and eyesight returned, but it took her some time to learn to walk again.

Early career

From an early age Wells had a love of music and singing, and was a member of the Northwestern High School choir. She also sang at local clubs and competed in various talent contests. In 1959, she met Berry Gordy's assistant, Robert Bateman, telling him about a song she had written for artist Jackie Wilson. Bateman arranged an audition for Wells and her song with Gordy, and she sang the song for the record producer. Instead of buying the song for Wilson, Gordy offered Wells a contract as an artist. The song Wells had sang, "Bye Bye Baby," became her first single after some polishing and was released on the Tamla imprint. The song ended up a top ten R&B hit in 1960, and crossed over to pop radio where it peaked at #45.

With Mary Wells' debut success, Gordy immediately brought her back to the studio. Their work produced the follow-up hit, "I Don't Want to Take a Chance," which equaled her first single's success. Her third single, "Strange Love," met indifferent reception at radio and failed to chart. In 1962, Gordy decided to bring Wells and Motown's star songwriter, Smokey Robinson, together. Their teaming produced an entire album that swept the nation by storm.

In early 1962, "The One Who Really Loves You" swept across the nation. The honest ballad broke into the top ten at both R&B and Pop radio, eventually peaking at #2 at R&B and #8 on Billboard's Pop chart. Gordy immediately followed with the release of "You Beat Me to the Punch," a light-hearted tune that reached #1 at R&B and replicated its predecessor's success at Pop. The string of hits continued with "Two Lovers," a clever, catchy tune that brought Wells her second R&B #1 and her third Pop top ten in a row. When the album, "The One Who Really Loves You" was released, it broke the top ten at the album chart and became the best selling album at Motown of the time.

1963 brought another respectable string of hits and a premature greatest hits compilation. "Laughing Boy" and "What's So Easy for Two Is So Hard for One" both broke the R&B top ten and the top thirty at pop. "Your Old Standby" surpassed it's A-side ("What Love Has Joined Together") and peaked at #8 at R&B and broke the pop top forty. Wells rounded out the year with another R&B top ten, "You Lost the Sweetest Boy," which ended up peaking at #22 on the pop chart.

Massive success

A new song for 1964 necessitated a new Greatest Hits compilation. "My Guy" which featured to smooth yearning voice of Wells and the Robinson's infectious lyrics and arrangement, became Wells' greatest hit. Though the song started off slowly, it broke up The Beatles run at the top to peak at #1 on the pop charts during the summer of '64. The song became one of Motown's classics, and even today is used in many films and commercials. In a way, the song has become iconic, becoming one of the songs that represent a whole generation.

With a smash hit riding the airwaves of summer, Gordy decided to team the two stars of his label, Wells and Marvin Gaye, who had gradually built up momentum on the charts. Together, the result of their work, became a hit album and featured two simultaneous top twenty hits, "Once Upon a Time" (#17 Pop) and "What's the Matter With You Baby (#19 Pop).

It was at this time that The Beatles openly called Wells their favorite American single, and invited her to tour with them throughout the United Kingdom. Wells accepted their invitation, and was inspired to record "Love Songs to the Beatles," an album featured several songs penned by the mop-tops. Despite the massive success of the Beatles, none of the songs from the album broke the pop chart. Since Billboard had stopped publishing the R&B chart (then called the Black Singles Chart), none of Wells' (or any other soul/R&B singer's) hits from 1964 and early 1965 were tracked on R&B radio. This explains the void in R&B chart peaks at the pinnacle of her success.

Breaking from Motown

After a sensational year, Wells reflected on her career and especially the financial reward (or lack thereof) she had received from her success. With encouragement from her husband, Herman Griffin, and a looming contract with 20th Century Fox which was both lucrative and promised a film career; Mary Wells sued the label, arguing not only for larger royalties, but to dissolve the original contract she'd signed at age seventeen. Wells won the lawsuit and was rewarded a fair settlement. Gordy tried to prevent other labels from signing the successful singer to no avail. The deal with 20th Century Fox Records was in the bag.

Life after Motown

Wells immediately began recording new material for her new self-titled album. Despite her first three singles at the label being relative successes, the album brought in disappointing sales. The label began having second thoughts and pulled promotion for the album. They also failed to fulfill the film agreements, and the contract was dissolved in mid-1965 with Wells walking away with a small settlement.

Next, Wells signed with Atco Records, a subsidiary of ABC. With the dedicated promotion of Atco Records, Well's first single with the label, "Dear Lover," hit #6 at R&B radio, and just missed breaking the top fifty at pop. All of the following singles failed and her album with the label was even less successful than her previous. A two-year contract with Jubilee Records brought two minor hits, "The Doctor" and "Dig the Way I Feel," but ended the same as her previous contracts.

By 1970, Wells had divorced Griffin and married Cecil Womack, brother of recording artist, Bobby Womack. Together they had six children and she decided to retire from performing in 1970. She returned twice to record singles for Reprise Records, but neither found success. Wells divorced Womack in 1977 and experienced a slight career rebirth in 1981, when she recorded a disco-infused album for Epic Records. The single, "Gigolo," became a major dancehall hit, peaking at #2 on the Billboard disco charts, and crossing over to peak at #69 on the R&B chart. She remarried in the early 80s, to Curtis Womack, Cecil's other brother.

The last years

With newfound fame, Wells continued touring, and re-recorded some of her hits and some new material for an Allegiance Records album. In 1990, she released another album, Keeping My Mind on Love, for Motor City Records. That same year, Wells was diagnosed with cancer of the larynx. She immediately began treatment and was forced to sell her house, possessions, and eventually couldn't afford health insurance. The treatments ravaged her voice, and Wells was also forced to quit touring. With no way to continue treatment, Wells' friends Mary Wilson and Martha Reeves supported her, with the help of many artists who looked up to Wells, including Rod Stewart, Bruce Springsteen, and Bonnie Raitt.

She was honored by Stevie Wonder, Little Richard, and others on an episode of the Joan Rivers Show in 1990. The following year, she testified for Congress to encourage government funding for cancer research. In the summer of 1992, Wells was hospitalized for pneumonia at the Kenneth Norris Jr. Cancer Hospital in Washington, D.C.. Still suffering the effects of cancer, her weakened immune system couldn't take the extra strain. Wells died on July 26, 1992.

Discography

Albums

• The One Who Really Loves You (1962) US: #8
• Two Lovers and Other Greatest Hits (1963) US: #49
• Greatest Hits (1964) US: #18
• Together (1964) US: #42 with Marvin Gaye
• Love Songs to the Beatles (1964)
• Mary Wells (1965, 20th Century Fox) US: #145
• In and Out of Love (1981, Epic)
• I'm a Lady (1983, Allegiance)
• Keeping My Mind on Love (1990, Motor City)

Singles

• "Bye Bye Baby" (1960) R&B: #8 US: #45
• "I Don't Want to Take a Chance" (1961) R&B: #9 US: #33
• "Strange Love" (1961)
• "The One Who Really Loves You" (1962) R&B: #2 US: #8
• "You Beat Me to the Punch" (1962) R&B: #1 US: #9
• "Two Lovers" (1962) R&B: #1 US: #7
• "Laughing Boy" (1963) R&B: #6 US: #15
• "Two Wrongs Don't Make a Right" (1963) US: #100 (b-side of "Laughing Boy")
• "What Love Has Joined Together" (1963)
• "Your Old Standby" (1963) R&B: #8 US: #40 (b-side of "What Love Has Joined Together")
• "What's So Easy for Two Is So Hard for One" (1963) R&B: #8 US: #29
• "You Lost the Sweetest Boy" (1963) R&B: #10 US: #22 (b-side of"What's So Easy for Two Is So Hard for One")
• "My Guy" (1964) US: #1 UK: #5
• "Stop Takin' Me for Granted" (1964) US: #88
• "Once Upon a Time" (1964) US: #19 (with Marvin Gaye)
• "What's the Matter With You Baby" (1964) US: #17 (with Marvin Gaye, b-side to "Once Upon a Time")
• "When I'm Gone" (1964)
• "Whisper You Love Me Boy" (1964)
• "Ain't It the Truth" (1964, 20th Century Fox) US: #45
• "Use Your Head" (1964, 20th Century Fox) R&B: #13 US: #34
• "Never, Never Leave Me" (1965, 20th Century Fox) R&B: #15 US: #54
• "He's a Lover" (1965, 20th Century Fox) US: #74
• "Me Without You" (1965, 20th Century Fox) US: #95
• "I Should Have Known Better" (1965, 20th Century Fox)
• "Dear Lover" (1965, Atco) R&B: #6 US: #51
• "Can't You See (You're Losing Me)" (1966, Atco) US: #94 (b-side of "Dear Lover")
• "Keep Me in Suspense" (1966, Atco)
• "Such a Sweet Thing" (1966, Atco) US: #99 (b-side of "Keep Me In Suspense")
• "Fancy Free" (1966, Atco)
• "Coming Home" (1967, Atco)
• "The Doctor" (1968, Jubilee) R&B: #22 US: #65
• "Can't Get Away From Your Love" (1968, Jubilee)
• "Don't Look Back" (1968, Jubilee)
• "Mind Reader" (1969, Jubilee)
• "Dig the Way I Feel" (1969, Jubilee) R&B: #35
• "Sweet Love" (1970, Jubilee)
• "Mr. Tough" (1971, Jubilee)
• "I Found What I Wanted" (1971, Reprise)
• "If You Can't Give Her Love (Give Her Up)" (1974, Reprise)
• "Gigolo" (1981, Epic) R&B: #69
• "These Arms" (1982, Epic)

External Links

• CMG Worldwide

This content from Wikipedia is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article Mary Esther Wells